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LinkedInHans Jenny and the Art of Soil or Soil in Art
Hans Jenny (1899-1992) was a soils teacher at UC Berkeley, a pedologist. He distilled the factors that drive soil formation into an equation signified as CLORPT. The CLimate, Organisms, Relief, Parent material and Time that create soil. This might all sound academic, but this approach has helped us better understand how soils form from rock or a base material (Parent Material) to become what we see as soil today. And what we will see as soil tomorrow. He was a firm advocate for soil organic matter (SOM) and spent much of his energy showing the value of protecting SOM and how to show its value to not just agriculture, but the landscape and its health. In a 1980 Science magazine letter he said, “The humus capital, which is substantial, deserves being maintained because good soils are a national asset.” It fits right in with our ideas of carbon sequestration today.
He had a real love for soil and an eye for its beauty. He was interviewed back in 1984 for the Journal of Soil and Water Conservation where he shared some of his views.
http://nesoil.com/upload/Hans_Jenny_Interview.pdf
“Over the years I have acquired a kind of reverence for the soil, for the creature-world inside it, and for its character expressed in the profile features.”
“Soil speaks to us through the colors and sculptures of its profile, thereby revealing its personality: we acknowledge it by giving soil a name, albeit in a foreign tongue, but we don't mention our emotional involvements…”
Hans Jenny went “Hollywood” in 1983 by collaborating with David Bellamy of the BBC. The documentary covers the concept of CLORPT referred to in the interview. It's spoken in a pretty thick English accent, so you might want to read up about the Ecological Staircase that exemplifies soil formation. The transect of soils and plants that are discussed are at Jughandle State Park in Mendocino.
David Bellamy's New World explaining Hans Jenny's CLOPRT, Part 1 y
“Soil contains over a thousand different species of lower animals, the earthworms, pill bugs, nematodes, millipedes, termites, ants, springtails, and amoebas, not to mention the millions of molds and bacteria…If all the elephants in Africa were shot, we would barely notice it, but if the nitrogen-fixing bacteria in the soil, or the nitrifiers, were eliminated, most of us would not survive for long because the soil could no longer support us. I can't help thinking of the claim that healthy soils make healthy people, and as an extension, I am intrigued by the thought that good soils make good people, but that notion seems untenable. Well, not wholly so. Working in the garden with spade and hoe soothes the minds of many people….”
“Soil speaks to us through the colors and sculptures of its profile, thereby revealing its personality: we acknowledge it by giving soil a name, albeit in a foreign tongue, but we don't mention our emotional involvements…”
Jenny also studied how we have viewed soil in art over the ages. He gave presentations on the progression over time of how our views have changed from broad nondescript representations to elaborate characterizations and on to more idealized shapes. Check out this essay he did for the Pontifical Academy of Sciences in 1968 after years of roaming art museums - The Image of Soil in Landscape Art.
And more on the art of soil through the ages from a different author
https://www.sciencedirect.com/science/article/abs/pii/S034181620900112X
Arbor Day - Grant Wood
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